Roman Polanski 的电影获奖,我上个月刚把他的一盘录影带扔到垃圾里, Polanski 也在这部电影里。电影的名字叫Diary of Forbidden Dreams (1974). 这是我看过的最难忍受的电影之一。反正不想再看第二遍。Polanski自己就在这部电影里现身。他一共在7部电影里有角色。这部片子的女主角非常性感,可以说是我见过的最性感的美国女星Sydne Rome,可不知为什么她没有再拍任何其他的片子。这部片子最怪的就是它几乎可以成为他以后犯罪的心理证据。 看了非常不痛快,有一种让观众偷窥的感觉,问题是偷窥到的东西非常不痛快。好像是连剧本都没有的,完全是一次想象的orgy。因为他的这部片子,我也没有兴致去看他的新片,反正都是犹太人的那一套。好像情节与茨威格的小说《国际象棋》非常相似。
在此之前,他还拍了Rosemary's Baby (1968), 很不错的一部片子。
这个人的神经肯定受过很大的刺激。
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In Roman Polanski absurd comedy, Nancy, a young American woman (Sydne Rome), is traveling by herself in Italy. After inadvertently hitching a ride with three would-be rapists, she flees and arrives at the home of aging millionaire Joseph Noblart (Hugh Griffith), who lives in a huge mansion by the sea full of eccentric and decidedly lascivious houseguests. Here she is invited to a fish fry by two British Ping-Pong enthusiasts, her leg is painted blue by an overzealous workman, and her clothes are stolen by a strange little man with a harpoon (Polanski himself). Ever curious and astonishingly open-minded, Nancy records each incident in a diary she carries with her at all times and is in constant danger of losing to one of the mansion nosy inhabitants. The high point of her visit is her encounter with the decadent Alex (Marcello Mastroianni), a onetime pimp whose favorite pastimes include dressing up as a tiger and having attractive women tame him with a whip. Offbeat, bawdy, and Fellini-esque, DIARY OF FORBIDDEN DREAMS is a relatively lighthearted film, especially considering it constitutes the follow-up to Polanski violent adaptation of MACBETH and would be succeeded by the dark neo-noir drama CHINATOWN.
MPAA Rating: Not Rated.
- Re: Roman Polanski 的电影posted on 04/20/2003
他有两部片子非常好, 向你推荐:
1. 9th Gate
2. Bitter Moon - 谢了!posted on 04/21/2003
- Re: 谢了!posted on 11/25/2009
哈,我堕落得多快,03年对这样的东西还很不舒服呢。 - Re: 谢了!posted on 11/26/2009
情节与茨威格的小说非常相似?
I would take it as a huge compliment. - posted on 11/26/2009
你们怎么不提他的"the pianist"? 转个影评.
I can remember when this film came out I was adamantly against seeing it. I had my preconceived notions that it would be some other heroic Jewish Holocaust film where good triumphs over evil and in between we would see some brutal atrocities committed by the Germans to add some flavour.
How wrong I was.
This is one of the best films I have ever seen and what it did to me I cannot describe in words. But in a nutshell, it moved me, made me cry, made me feel like I was in the Polish ghetto in 1940, and ultimately made me kiss the sidewalks as I walked out of the theater and thanked God that I live in the free society that I do.
Roman Polanski has proved that he is a great director with films like Chinatown and Rosemary's Baby but this is his crowning achievement. I think the fact that this won the awards that it did at this years Oscars goes a long way to validate the brilliance of this film. I believe that the Oscar's are rigged for the most part and films and actresses and such win based more on their pedigree or business associations than anything else, so when it won best actor and director and adapted screenplay this year, it tells you that it should have won best picture but the Weinsteins seem to have a spell over everyone, hence a charlatan like Chicago takes top prize. Sorry for the digression here but when you compare a "film" like Chicago to a masterpiece like The Pianist, there really is one clear cut winner. They handed out the statue to the wrong movie.
The Pianist follows up and coming piano player Wlad Spielzman from his days as a local hero to a prisoner of war to his time in the ghettos, surviving only by the kindness of strangers. I think many people have touched on this before but what makes this film so amazing and well crafted is because Spielzman is a man that we can all relate to. He is not a hero, he is not a rebel and he is not a kamikaze type that wants and lusts after revenge. He is a simple man that is doing everything in his power to stay alive. He is a desperate man and fears for his life and wants to stay as low as he can. Only from the succor he receives from others does he manage to live and breathe and eat and hide. And this is how I related to him. If put in his position, how would I react? Exactly the way he did. This is a man that had everything taken from him. His livelihood, his family, his freedom and almost his life. There is no time for heroics here. Adrien Brody embodies the spirit of Spielzman and his win at this years Oscars was one of the happiest moments I have had watching the festivities. His speech was even better but that is a topic for another time.
Ultimately it is his gift of music that perhaps saves his life and the final scene that he has with the German soldier is one of the most emotionally galvanizing scenes I've witnessed. With very little dialogue, it is in the eyes, the face, the mouth and the sounds that chime throughout their tiny space that tell you all you need to know. I think it is this scene that won Brody his Oscar. This is one of the all time great performances.
I think Polanski spoke from the heart here. He has taken a palette of memories and amalgamated them with what he has read and given us one of the best films of our generation and any other. I think The Pianist will go down as one of the best films of this century and when all is said and done, Chicago will be forgotten the way Ordinary People was forgotten and when people talk about the film The Pianist, they will do so with reverence and respect. This is a cinematic masterpiece.
http://en.wikipedia.org/wiki/The_Pianist_(2002_film)
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