⼸춼ڿйGalaĴǡ The life of the muses by francine prosedali50Ļǰ
ȴ곤10ꡣʶʱ35꣬ʫPaul Eluard̫̫CecileĸףMax Ernstˣǵʱʵ弯ΨһһλŮԣ ҲǰȷĻȦһλnymphomania ʱǷɾĻƽʱ ޱߣGalaEluardİţErnstGalaһʵɫɷ⣬ϵElurard뾭˵ĽӴлеһҡ ڼEluardȻдɫʫţǰ꣬ǺLetters to Gala. ŵɫɷַdzŨ
ϲʫGacia Lorca( •)ͬˡ дʫOde to Salvador DaliҲдɢӣSt. Sebastian
ǴmuseڴԴĺ벿ÿһҳҪᵽ֣ǴľʥĸʹĸסĶˡԴȪ ǰеIJһ̨ƱרӡƴijƱ
ڴĻУȫڼĹơ ǵĹϵǵ͵ʩŰŰ άϵǰǹͬİáԽǮֵͬԼҵϵĺϵǻĺڣȻ̵˴˵IJš ЦһϷǵ꣬ϵİң˳߹ϣҲñס һֵʵڲˣҽ⡣һλҽûüȾಡȥڶҽҲûʲôùӣһȸеһλȳˡ
̰ޱȣɵؿģǷ¾ծʹǩհ壬 ȥ ڷ߾İԱһξͲһװдǩļǧſհ塣
ǵ꣬סڲͬijDZ ijDZPubloܵ롢ͨԤԼ˲ܽȥΪ˺üλ͡ أʱҲһAmenda Learһ
1982꣬ڴľPort LligatijDZͻȻȥΥԼдҪPubloԼĹ涨 رǿҪDiorĺɫ졣 Ϊ˲ֵע⣬ӶֻðѼʬϿˣΪš ֱһʵĻ硣
- posted on 09/06/2004
Inventions of the Monsters (1937 20 1/4 x 30 3/4 in. (51.4 x 78.1 cm) Paintings Oil on canvas. Ownership: Art Institute of Chicago, Chicago, Illinois, USA The Art Institute of Chicago, The Joseph Winterbotham Collection 1943.798
When Dali was informed in 1943 that The Art Institute of Chicago had acquired 'Inventions of the Monsters,' he sent the following telegram, 'Am pleased and honored by your acquisition.' According to Nostradamus the apparition of monsters presages the outbreak of war. This canvas was painted in the Semmerling mountains near Vienna a few months before the Anschluss and has a prophetic character. Horse women equal maternal river monsters. Flaming giraffe equals masculine apocalyptic monster. Cat angel equals divine heterosexual monster. Hourglass equals metaphysical monster. Gala and Dali equal sentimental monster. The little blue dog alone is not a true monster. The following places and events also merit comment. Nostradamus (Michel de Nostredame, 1503-1566) was a physician in France who published a collection of prophecies in 1555, some seemingly fulfilled by the dire events of World War II. Dali began this painting in 1937 in his Paris studio on the rue de la Tombe-Issoire, and brought it with him to Semmerling, a small ski resort in Austria just south of Vienna, to work on while on vacation. The Anschluss was the annexation of Austria to National Socialist Germany in March of 1938, an event anticipated since 1917. By the time Dali sent this telegram in 1943, the Anschluss was considered a prelude to the world war. Gala (Elena Deluvina Diakonoff, around 1894-1982), Dali's wife since 1934, was his muse, collaborator, emotional anchor, and muse [for the most part of his life(sic)]. They met in 1929 when Dali moved to Paris and were married in 1934. From the time they met in 1929 to the time of her death, they were totally co-dependent and completely inseparable. The little blue dog that Dali refers to is barely visible in the lower left corner of the painting. Evidently Dali used a fugitive pigment, that is a chemically instable color for painting this detail which faded into memory within the artist's lifetime and within years of the work's completion.

- Re: 这个女人不寻常posted on 09/07/2004
50Ļ21married couple˵ֱ˵һ һperfectly matched couple even had a miserable ending.
ϵҺвĽʴģdali got everythingšǰϻܸɵӡ50Ļõδijݾ ʲôźأ
һperfectly matched marriage, ʹϵⰲĻ free people still prefer to be free like birds. - posted on 09/07/2004
Ů˰ԼŵɺӣԼĺӷĸԡ GalaһԼŮԴһͺٹŮCeceilһѰĸattention꣬Galabزʱ뷽跨ֹŮĺϷ̳ȨΪһpennilessˡ
̵ɱԼµĺӣ˶⡣ ʵӹŮɱӤİŮıɱռطdzһcategoryɱ ⲻǷѧҪоŮӦľġ
ŮҡҵĴжŰŮļ¼
ΪŮܾʹ˾ͶԼѪиӦֹˡ ŮˣͳϽŰdzأԼ˺ﻹ˼ԼѪ⣿ ̥Ϊɱ̥ҲһıɱĹ۵Ҳȫûеġ
Gala36ҶӹгhysterectomyԵϣʵѾŮ˶һˡŮѣǷdzҲûзIJʣΪҲûз˵¾ûmenopause ûhot flashҲû⻳еĿ־壬hohoŮɣ
Galaϻ88꣡
- Re: 这个女人不寻常posted on 09/08/2004
!!!!!!!
More Dali, please. Thanks.

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