政治谈腻了可以听听贝多芬意志旋律和节奏(加上TEMPO)__
http://nl.youtube.com/watch?v=-Lr6qV19Bhc
Elly Ney plays Beethoven opus 111, first mvmt.
下面是网友跟贴IN YOU TUBE,赞扬这位元首钢琴家——
Elly Ney was one of the most beloved pianists in Europe and the United States, where she lived from 1921 until 1930. She had a superb technique even at old age. She recorded op. 111 six times and this is (although still very good) the weakest recording compared to her two 1965 recordings in the Beethoven house on Beethoven's piano and the Hamburg recording for Somerset Records, USA, which is the best op.111 I know. I will post it one day..and Brahms 2nd pianoconcerto with Konwitschny..incredible
Yes, please...do post more Ney if you have it!
I wonder, if you think that this version is the "weakest", how the others sound...I think that especially in the last movement (which I won't post because I don't like to split it in two) she can compete with pianists like Arrau and Solomon in terms of intensity, spirituality and technical fluency. But the first movement is also very fine by any standard!
well....I just posted Mozart's turkish march with Elly Ney.....hope you enjoy it...
deluzon (3 weken geleden) Toon Verbergen +2 Gemarkeerd als spam Antwoorden Thank you,pianopera for this. When I was young I attended a performance of this wonderful pianist. We called her "Beethoven's widow" because of her powerful playing and her huge mane. Usually, at the end of her performances she played Brahm's "Guten Abend, gut Nacht". I have Beethoven's piano concertos Nr. 3 and 4 played by her. A treasure! CDs of her are available at 'Colosseum classics'. I'm not a businesspartner of them, just want to help to find her music.
Thank you!
Yes, she must have had a strong identification with Beethoven, even earlier in her life. I've read somewhere that she even read the "Heiligenstadt Testament" to the public as part of her performance!
I can easily believe that. Her strong antisemitism surely, gave her later some problems. And many people cant make a distinction between the human being and the artist. I somehow can understand that too. But there is no doubt that she was a great pianist.
I agree with you -- otherwise, we also can't listen to Alfred Cortot etc. We even can't enjoy the greatness of Wagner's music. Antisemitism was (and still is) widespread I'm afraid.
just 111 .lol. wonderful post. Cologne university is beautiful, i had a german friend who went there. i visited
One of the most underrated pianist of the last century. Thank you for posting this great piece.
- Re: Elly Ney plays Beethoven opus 111, first mvmt.posted on 10/02/2008
在听
这是自立吗?咱都要下班了,你还没睡觉?
看来写字的都是夜猫子.
- posted on 10/03/2008
现在迷上贝多芬晚期钢琴奏鸣曲。
大概看就是,晚期一改早期中期流畅激烈明亮的强意志之风,变为分裂和深思的慢板风格,几乎每一个音符都富有思考的深度,然后有限回到早期的明快之风。其中蕾菲布(LEFEBURE),若顿(NORTON),安尼(菲彻),YUDINA和上面的NEY几个女家演绎十分精彩,当然,肯普夫和施纳贝尔,米开郎哲利也有出色演奏。最近较为流行的是波力尼的演奏本,当然还有古尔德。
二,近买到小泽指挥柏林爱乐演奏老柴第六,08年一月演出版。好生了得!小泽处理音响和细节同揽在他的整体内敛的张力之中,和最为有名的姆拉文思基俄国风形成对比(姆拉的第一乐章预奏部分弦乐段落的逻辑性表达极为有说服力,甚至速度变化出意志力的表现——使人想起福特文革勒的TEMPO/速度变化,无人可比)——小泽却另辟蹊径,呈现他的独立思考,和姆拉有得一拼——是盖过所有卡拉样和杨松斯的珍贵版本。
三,米开兰哲利的演奏和施纳贝尔一样有交响乐效果。触键极其独特和魔幻,踏板运用不可或缺,值得注意。
以上和XW汇报一哈。呵呵。
(昨天是因为版本比较,所以睡得特晚。不是天天如此。祝好。)
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