http://www.mayacafe.com/forum/topic1sp.php3?tkey=1252527642
(work in progress)
设备 总结:喜欢什么样的摄影风格,题材,决定了要用什么设备。
moab:
DX相机, 配12~24 / 50 / 70~200 三只镜头, 我(夹缝)觉得对DX相机来说,是个很好的选择。
我以前也是用这三个镜头, 后来上35MM全幅后, 12~24 和 70~200不再适用了, 就出掉了。
RZP, dSLR在佳能和尼康之间选个用这顺手的,不是最入门级的,就差不多。不建议买套机,因为配的都是“狗头“。喜欢到一定程度,镜头应该比机身贵才对(牛头)。不过话说回来,即使是套机,成像质量肯定是要比小DC好。
17-35 很重!(夹缝:)重是重点儿,画质还是不错的。
crop factor Nikon body (D300) and have sized down to just one body, three lenses, 12-24DX, 70-200VR, and the nifty-fifty.
夹缝:
选什么设备, 要根据自己的需要来看。对风景片,本人不是PS软件的FANS,也少用多重曝光功能。
我自己的情况是:因为不是专业摄影,使用的是NIKON设备(当然CANON和NIKON各有所长,半斤八两)。早些年镜头有一打,后来发现很多镜头都没怎么使用。如果对于NIKON来说,而且只选一个镜头的话,24~70/2.8和 24~85/2.8应该是首选。
但是多数玩相机的, 到后来都不只一个镜头。我没有用过24~70/2.8和 24~85/2.8这两个镜头,而是用其他几个定焦头。
很多相机都有多重曝光功能, 比如NIKON F5,NIKON D700, 等等。
GND和TRIPOD是拍风光必不可少的设备。只要景物的CONTRAST比自己相机或胶片的DYNAMIC RANGE大, 就需要GND来保留细节。
一般的SLIDE负片, DYNAMIC RANGE是 5 stops (5 EV);NIKON D700 (俺现在的常用机)在低ISO时可以达到7~8 STOPS, 但是如果把CONTRAST控制在5 stops,细节保留就最满意。
LEE FILTER有个点在洛杉矶的BURBANK,她那儿的GND有 0.3 ( 1 stop) / 0.6 (2 stop) / 0.9 (3 stop)。
我的几个150MM GND:
24MM PC-E:
草叶:
canon D50 镜头用的是18-200 重
(moab)50D is a 1.6x crop factor camera, so if you want wide angle, you need something covering the 12-16mm range (12x1.6=18). If it's me I'd pick the Tokina 11-16mm Pro DX. On full frame body like 5D/5D II I recommend 17-40 f/4L.
Henri Cartier Bresson:
LEICA 35MM旁轴, 和一个50MM定焦镜头
风子:
Panasonic g1 or gh1 Panasonic g1 or gh1 (which also shoots high-definition videos). This model is becoming increasingly popular among professional photographers as a walk-out camera. It's the first model that does away with the traditional SLR system (i.e. it does not have the internal mirrors, etc.) yet delivers SLR quality photos. Its greatest advantage over any existing serious SLR models is its small size and lightweight. The main drawback appears to be the small aperture lenses (typically with F/ over around 4 or higher).
(行人)Check out GF-1. It is the next step is G1/GH1 and shows the real advantage of micro four-thirds.
http://www.dpreview.com/previews/PanasonicGF1/
DX相机, 配12~24 / 50 / 70~200 三只镜头, 我(夹缝)觉得对DX相机来说,是个很好的选择。
我以前也是用这三个镜头, 后来上35MM全幅后, 12~24 和 70~200不再适用了, 就出掉了。
RZP, dSLR在佳能和尼康之间选个用这顺手的,不是最入门级的,就差不多。不建议买套机,因为配的都是“狗头“。喜欢到一定程度,镜头应该比机身贵才对(牛头)。不过话说回来,即使是套机,成像质量肯定是要比小DC好。
17-35 很重!(夹缝:)重是重点儿,画质还是不错的。
crop factor Nikon body (D300) and have sized down to just one body, three lenses, 12-24DX, 70-200VR, and the nifty-fifty.
夹缝:
选什么设备, 要根据自己的需要来看。对风景片,本人不是PS软件的FANS,也少用多重曝光功能。
我自己的情况是:因为不是专业摄影,使用的是NIKON设备(当然CANON和NIKON各有所长,半斤八两)。早些年镜头有一打,后来发现很多镜头都没怎么使用。如果对于NIKON来说,而且只选一个镜头的话,24~70/2.8和 24~85/2.8应该是首选。
但是多数玩相机的, 到后来都不只一个镜头。我没有用过24~70/2.8和 24~85/2.8这两个镜头,而是用其他几个定焦头。
很多相机都有多重曝光功能, 比如NIKON F5,NIKON D700, 等等。
GND和TRIPOD是拍风光必不可少的设备。只要景物的CONTRAST比自己相机或胶片的DYNAMIC RANGE大, 就需要GND来保留细节。
一般的SLIDE负片, DYNAMIC RANGE是 5 stops (5 EV);NIKON D700 (俺现在的常用机)在低ISO时可以达到7~8 STOPS, 但是如果把CONTRAST控制在5 stops,细节保留就最满意。
LEE FILTER有个点在洛杉矶的BURBANK,她那儿的GND有 0.3 ( 1 stop) / 0.6 (2 stop) / 0.9 (3 stop)。
我的几个150MM GND:
24MM PC-E:
草叶:
canon D50 镜头用的是18-200 重
(moab)50D is a 1.6x crop factor camera, so if you want wide angle, you need something covering the 12-16mm range (12x1.6=18). If it's me I'd pick the Tokina 11-16mm Pro DX. On full frame body like 5D/5D II I recommend 17-40 f/4L.
Henri Cartier Bresson:
LEICA 35MM旁轴, 和一个50MM定焦镜头
风子:
Panasonic g1 or gh1 Panasonic g1 or gh1 (which also shoots high-definition videos). This model is becoming increasingly popular among professional photographers as a walk-out camera. It's the first model that does away with the traditional SLR system (i.e. it does not have the internal mirrors, etc.) yet delivers SLR quality photos. Its greatest advantage over any existing serious SLR models is its small size and lightweight. The main drawback appears to be the small aperture lenses (typically with F/ over around 4 or higher).
(行人)Check out GF-1. It is the next step is G1/GH1 and shows the real advantage of micro four-thirds.
http://www.dpreview.com/previews/PanasonicGF1/
摄影名家
Ansel Adams
Ansel大家都知道, 是美国最著名的风光摄影大师。此人早年是个暗房里的学徒,对暗房技术和摄影器械都十分在行,自己写过不少后来成为摄影界经典的有关暗房技术/摄影技巧/摄影设备的书。Ansel基本上都是使用大画幅相机, 片子精工细作。大(中)画幅相机一直都是风光摄影的主流。
Henri Cartier Bresson原本一富家子弟,没有太多的摄影训练和背景。他的摄影题材多是摄影记者类的。他的片子没有太多的暗房处理, 也不剪裁片子。 他的摄影设备就是一个LEICA 35MM旁轴, 和一个50MM定焦镜头,简简单单。PJ相机, 多是35MM的。
Henri Cartier Bresson原本一富家子弟,没有太多的摄影训练和背景。他的摄影题材多是摄影记者类的。他的片子没有太多的暗房处理, 也不剪裁片子。 他的摄影设备就是一个LEICA 35MM旁轴, 和一个50MM定焦镜头,简简单单。PJ相机, 多是35MM的。
摄影范例
摄影Q&A
GND
(夹缝)GND的解释见WIKI:http://en.wikipedia.org/wiki/Graduated_neutral_density_filter
摄影书籍、网站
www.DPREVIEW. com
www.kenrockwell.com
Understanding Exposure
Manual of Photography
I have "Manual of Photography" in electronic format if anyone wants it. It's a 10.3MB PDF file. Frankly I haven't read it (or many photography literature in that regard).
http://www.amazon.com/Manual-Photography-Ninth-Media/dp/0240515749/ref=sr_1_1?ie=UTF8&s=books&qid=1252895092&sr=8-1
www.kenrockwell.com
Understanding Exposure
Manual of Photography
I have "Manual of Photography" in electronic format if anyone wants it. It's a 10.3MB PDF file. Frankly I haven't read it (or many photography literature in that regard).
http://www.amazon.com/Manual-Photography-Ninth-Media/dp/0240515749/ref=sr_1_1?ie=UTF8&s=books&qid=1252895092&sr=8-1