Guillaume Apollinaire 浜氭尝閲岃€愮殑璇�

Guillaume Apollinaire 浜氭尝閲岃€愮殑璇� | Oct 26 2005

这里是他的一些诗歌：

别离

我采下这支欧石南
秋天过了请你铭记
我们在世间难再见
时节馀香这支石南
请你铭记我等着你

钱春绮译

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永恒的吻

一千年一万年，
也难以诉说尽，
这瞬间的永恒。
你吻了我，
我吻了你。
在冬日朦娘的清晨，
清晨在蒙苏利公园，
公园在巴黎，
巴黎是地上一座城，
地球是天上一颗星。

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站岗

我在站岗老想你，我的璐璐，
星星在眨眼，我也看见你的眼睛。
整个天空是你的身体，在我强烈欲望中形成。
狂风阵阵，吹得我欲望更加火炽，
四面八方狂风吹，中间一个士兵在沉思。

我的爱，年不知道分离什麽滋味。
你不知道分离把人折磨得要死。
每过一小时，增加无穷无尽的痛苦，
太阳西沉，人就开始受煎熬，
夜幕降临，痛苦加倍袭击。

我希望在回忆中爱情使人恢复青春
使人更美丽，直到回忆渐渐消逝。
我的爱，到一天你也将成为老人，
回忆往事，像猎人在风中吹号角。
呵，夜漫漫地流逝，呵，我的步枪多沉重。

1915年3月25日在尼姆

罗大冈译

Guillaume Apollinaire (August 26, 1880 – November 9, 1918) was a poet, writer, and art critic. The foremost French poet of the early 20th century, he is credited with having coined the word surrealism and having written one of the earliest works that can be described as Surrealist, the play Les Mamelles de Tirésias (1917) (the subject of an opera by Francis Poulenc that premiered in 1947). Two years after being wounded in World War I, he died at thirty-eight of the Spanish flu during a worldwide pandemic that killed between twenty and fifty million people.

Born Wilhelm Albert Vladimir Apollinaris de Kostrowitzky/Kostrowicki in Rome, Italy, and raised speaking French, among other languages, he immigrated to France and translated his given name to Guillaume (French for William/Wilhelm) Apollinaire. In his youth he was one of many artists who worked in the Montmartre district of Paris during an era of great creativity. His mother, Angelica Kostrowicki, was a Polish countess from near Nowogródek (now Belarus). His father is unknown but may have been Francesco Flugi d'Aspermont, a Swiss-Italian aristocrat who disappeared early from Apollinaire's life.

One of the most popular members of the artistic community in Montparnasse, his friends and collaborators during that period were Pablo Picasso, Max Jacob, André Salmon, Marie Laurencin, André Derain, Blaise Cendrars, Pierre Reverdy, Jean Cocteau, Erik Satie, Ossip Zadkine, Marc Chagall and Marcel Duchamp. In 1911, he joined the Puteaux Group, an offshoot branch of the cubist movement. On September 7 of the same year, police arrested and jailed him on suspicion of stealing the Mona Lisa, but released him a week later.

Apollinaire's first collection of poetry was L'enchanteur pourrissant (1909), but Alcools (1913) established his reputation. The poems, influenced in part by the Symbolists, juxtapose the old and the new, combining traditional poetic forms with modern imagery. Also in 1913, Apollinaire published the essay Les Peintres cubistes on the cubist painters, a movement which he helped to define. He also coined the term orphism to describe a tendency towards absolute abstraction in the paintings of Robert Delaunay and others.

He fought in World War I and, in 1916, received a serious shrapnel wound to the temple (see photo). He wrote Les Mamelles de Tirésias while recovering from this wound. Earlier, he had coined the word surrealism in the program notes for Jean Cocteau and Erik Satie's ballet Parade, first performed on 18 May 1917. He also published an artistic manifesto, L'Esprit nouveau et les poètes.

In 1907, Apollinaire wrote the well-known erotic novel, The Eleven Thousand Rods (Les Onze Mille Verges). Officially banned in France until 1970, various printings of it circulated widely for many years. Apollinaire never publicly acknowledged authorship of the novel. Another erotic novel attributed to him was The Exploits of a Young Don Juan (Les exploits d'un jeune Don Juan), in which the 15-year-old hero fathers three children with various members of his entourage, including his aunt. The book was made into a movie in 1987.

The war-weakened Apollinaire died of influenza during the Spanish Flu pandemic of 1918. He was interred in the Le Père Lachaise Cemetery, Paris, which is also the final resting place of Marcel Proust, Oscar Wilde, Sarah Bernhardt, Édith Piaf, Richard Wright, Jim Morrison, Balzac, Molière, Chopin, Héloïse and Abélard, and many more of the greatest artists and thinkers of the last thousand years. Shortly after his death, Calligrammes, a collection of his concrete poetry (poetry in which typography and layout adds to the overall effect), was published.
Apollinaire