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Edward Estlin Cummings (October 14, 1894 – September 3, 1962), abbreviated E. E. Cummings, was an American poet, painter, essayist, and playwright. His publishers and others have sometimes echoed the unconventional capitalization in his poetry by writing his name in lower case and without periods, as e e cummings; Cummings himself did not approve of this rendering. [1]
Cummings is best known for his poems and their unorthodox usage of capitalization, layout, punctuation and syntax. There is extensive use of lower case; word gaps, line breaks and gaps appear in unexpected places; punctuation marks are omitted or misplaced, interrupting sentences and even individual words; grammar and word order are sometimes strange. Many of his poems are best understood when read on the page. When read in the correct fashion, his poems often paint a syntactical picture as vital to the understanding of the poem as the words themselves.
Despite Cummings' affinity for avant-garde styles and for unusual typography, much of his work is traditional. Many of his poems are sonnets, and he occasionally made use of the blues form and acrostics as well. Cummings' poetry often deals with themes of love and nature, as well as the relationship of the individual to the masses and to the world. His poems are often satirical as well. But, while his poetic forms and even themes show a close continuity with the romantic tradition, his work universally shows a particular idiosyncrasy of syntax, or way of arranging individual words into larger phrases and sentences. Many of his most striking poems do not involve any typographical or punctuational innovations at all, but purely syntactic ones.
During his lifetime, he published more than 900 poems, along with two novels, several plays and essays, as well as numerous drawings, sketches, and paintings. He is remembered as one of the preeminent voices of 20th century poetry.
