一个水手发现船上的钢琴上有一个弃婴,就把他抱起来,他就在船上长大成人。那是一条美丽的游轮,有一天,他的养父死了,他们把他的尸体丢到了水里,这个男人一辈子都在这条船上,从来也没到陆地上去过,死了也还要在海洋上飘荡。
这个男孩子喜欢弹钢琴,只有钢琴使他忘乎所以。他开始为游船上客人弹琴,他的名声也迅速传遍了世界。人们告诉他陆地上有美丽的女人,漂亮的房子,他可以在最高尚的音乐厅里弹琴,获得名望,金钱和幸福的生活。
他拒绝了,海洋才是他的世界,船是他的家。
有一天,他在船上遇到了一个美丽的女孩子。金色的头发,海水一样蓝色的眼睛,鲜红的嘴唇让他深情激荡,身不由己。他决心到陆地上去,和那个女孩子一起生活。
可是,他又回来了,他离不开海洋,甲板。 陆地上的一切太缤纷缭乱,他无法弹琴,他的琴声是海洋的回声,只有音乐和海洋,才给他永恒的安宁。
The Legend of 1900 is an interesting new fable from legendary Italian filmmaker Guiseppe Tornatore, maker of Cinema Paradiso and The Star Maker. Based on a monologue by Alessandro Baricco, The Legend of 1900 tells the story of a unique man who never set foot upon dry land. On January 1, 1900, a small baby boy was found abandoned on the Virginian, a transatlantic ship. The crewman who found him names the boy Danny Boodman T.D. Lemon 1900; 1900 for short. 1900 is a true orphan. He knows nothing about his parents or his past. The Virginian is the only thing he knows.
- Re: 海洋上的琴声----The Legend of 1900posted on 04/18/2007
莫瑞柯尼(Ennio Morricone )配的乐,不会差到哪里去。马上去借。 - Re: 海洋上的琴声----The Legend of 1900posted on 04/18/2007
这部电影看了的,是Adagio推荐的。
留下最深的印象是:一位囚在大海上的钢琴师,和一位窗口划过的美
丽的脸庞,擦身而过的倩影,她是自由的。
而他,是束缚的。
- Re: 海洋上的琴声----The Legend of 1900posted on 04/18/2007
那段他对着眩窗,望着心仪姑娘即兴做的曲子,美得令人心痛,没有结果的爱情可能是最美的爱情。马友友用提琴演绎这首曲子,经常听,同天堂电影院的主题曲一样美。
1900是处于边缘的真正漂泊者,一个钢琴诗人。给一个作曲的朋友推荐这部电影,他分两天看完,他说的看的时候反复倒回去,回味1900的旋律。
- Re: 海洋上的琴声----The Legend of 1900posted on 04/18/2007
Yes, the best part is piano and how to play piano.
feiming wrote:
那段他对着眩窗,望着心仪姑娘即兴做的曲子,美得令人心痛,没有结果的爱情可能是最美的爱情。马友友用提琴演绎这首曲子,经常听,同天堂电影院的主题曲一样美。
1900是处于边缘的真正漂泊者,一个钢琴诗人。给一个作曲的朋友推荐这部电影,他分两天看完,他说的看的时候反复倒回去,回味1900的旋律。
- Re: 海洋上的琴声----The Legend of 1900posted on 04/18/2007
她是自由的。
而他,是束缚的。
读到这样的句子,眼泪汹涌而出。她被他的绳牵着,以为自由了,却依然飞不出他的牢笼。18年,他们做着彼此的囚徒...绳索越勒越紧,捆绑到天人合一,窒息到呼吸着同一口气....
我心甘情愿做着伤心的囚徒 - posted on 04/19/2007
July wrote:
Yes, the best part is piano and how to play piano.
"The best part is body as a piano can be played and
replayed without beautiful musics yet till retired someday
and as a chicken pic soundless and lowly being as a mean dust "
J, you sensitive to what? Why del so much?
What's the matter with the upper input by 右派分子?
We do not understand, J, but we are sure it's better than your famous poem in the cul-de-sac as
"你弹我,就象
弹老吉他."
O GOD!and goddammit....what's your sensitive and your filmsy, direct us, no matter how blue you are,
and, if you do not like "J", then settle down into an average life, and choose another name. And thanks and Amen.
- Re: 海洋上的琴声----The Legend of 1900posted on 04/25/2007
看了。觉得黏糊。十年后再看。 - posted on 04/29/2007
刚看完! 很喜欢!他已是无可救药的爱上了, 居然在夜色深沉的时候, 潜入她的舱房, 在月光折射的蓝色的波影中亲吻了熟睡的女孩的嘴唇。
也特别喜欢片尾歌:
http://www.1ting.com/player/d3/player_103448.html
Lost Boys Calling
Come hold me now
I am not gone
I would not leave you here alone
In this dead calm beneath the waves
I can still hear those lost boys calling
You could not speak
You were afraid
To take the risk of being left again
And so you tipped your hat and waved and then
You turned back up the gangway of that steel tomb again
And in Mott street in July
When I hear those seabirds cry
I hold the child
The child in the man
The child that we leave behind
And in Mott street in July
When I hear those seabirds cry
I hold the child
The child in the man
The child that we leave behind
The spotlight fades
The boys disband
The final notes lie mute upon the sand
And in the silence of the grave
I can still hear those lost boys calling
We left them there
When they were young
The men were gone until the west was won
And now there's nothing left but time to kill
You never took us fishin' dad and now you never will
And in Mott street in July
When I hear the seabirds cry
I hold the child
The child in the man
The child that we leave behind
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